My review/essay on P. Dunoyer's survey at the Paris MAM. Tussle Magazine, Feb. 2023
My translation of a 2016 interview with Alix Le Meleder, published in Caesura Magazine in December 2022
Review of Shirley Jaffe's retrospective at Paris' Beaubourg Center in Tussle Magazine, Sept. 2022.
A review of Russell Maltz 3 part survey at Minus Space, published in Tussle Magazine, June 2022.
Exchange of ideas with Saul Ostrow via separate texts about a Simon Hantai exhibition at the Gagosian Gallery, in Tussle Magazine, March 2022.
My opinion piece/response to Saul Ostrow's review in Tussle Magazine of Mathieu's double show at Perrotin and Nahmad galleries. January 2022
My review/essay of Elizabeth Murray's survey at the Anderson Gallery of University at Buffalo, published on 09/28/21 in dArt International Magazine.
"Alix Le Meleder's Protocols of Transition", retitled and published by Hyperallergic Weekend on 6/26/2021.
A retitled abreviated version of "Judit Reigl and the case of the haptic versus the optical" published by Hyperallergic Weekend on 1/02/21.
Published under the title "Abstraction With a Political Conscience", a short analysis of Mosset's BMPT background and of his position towards Greenberg and Duchamp. Published by Hyperallergic Weekend on 10/06/18.
An article on Christian Bonnefoi's work, originally titled: "Christian Bonnefoi and the unbearable lightness of painting". Published in Hyperallergic Weekend on 01/20/18
Review of John Mendelsohn's concurrent exhibitions at 57 W 57 Gallery and 490 Atlantic Gallery, published in D'Art International, Fall 2017/Winter 2018.
A look at French painter Roger Bissiere's work from a standpoint of both historical and geographical distance. Published in Hyperallergic Weekend on 04/08/17.
A visit through Stella's retrospective at the Whitney and reflections on the production marathon syndrome. Published in Hyperallergic Weekend on 10/08/16
My own personal -out of the beaten path- reading of Martin Barre's work, based on years of wondering and pondering. Published in Hyperallergic Weekend on 10/25/15.
Following an exhibition of James Bishop's work in NY, this essay examines the unusual influence of a School of Paris painter on a New York School painter. Published in Hyperallergic Weekend on 02/14/15 (part 1).
Following an exhibition of James Bishop's work in NY, this essay examines the unusual influence of a School of Paris painter on a New York School painter. Published in Hyperallergic Weekend on 02/15/15 (part 2).
A review of the Supports/Surfaces show at Canada Gallery in the Lower East Side, New York, from 06/07 to 07/20/14, published in Hyperallergic Weekend on 08/23/14.
Review of Serge Poliakoff's recent retrospective at the Museum of Modern Art of the city of Paris, published in Hyperallergic Weekend on 03/29/14.
Part exhibition review, part essay, part opinion piece, this article examines the reasons behind Hantai's decision to withdraw from the art scene at the top of his career. Published in Hyperallergic Weekend on 09/07/2013.
Discussion with Paul Rodgers on his friendship with Simon Hantai in preparation for an article on the occasion of Hantai's retrospective at Centre Beaubourg, Paris, and of Paul's own 2013 summer show: Simon Hantai, Go Figure/Ground.
Review of Eugene Leroy exhibition at Michael Werner Gallery, 4E77th St New York, from 10/31/12 to 01/05/13, published in Hyperallergic Weekend on 12/01/12.
Essay on Eugene Leroy's retrospective at MUBA, Tourcoing, France, published in the Brooklyn Rail, April 2011